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I use MIxPad, which compressor should I use? Completely confused, not technical at all. Female, angelic, very high soprano, singing low too.

This is awesome. Thank you for sharing!

thanks

If u are here seeing this in 2024 like this comment. I miss Graham alot

The “gate” sucks on this. The delays and reverbs are limited, but the rest is good

gain and volume arent the same thing... gain staging to my understanding is not about making your shaker as loud as your snare lmao.

That's soul singing, that's beyond diaphragm 😂❤❤❤

Thanks a lot, very useful!

Look at the Meters in the Video. He is Overloading the Output Busses .Sorry.

Even when you set it “wrong” it still sounded amazing and had that classic album flavor. I love this compressor on the mix buss.

Thank you very much. I'm just getting started so you've saved me a lot of experimenting. I'm going to stop recording my acoustic guitar in stereo.

Release date august 25th 🫡

Very useful info for a guitar player, thank you

So, you are saying you have to have talent? I think that's what I heard...

Hey thanks man, that's spot on! I just recorded vocals yesterday (after many years, yep!) with a new pair of really tight headphones, and I heard very loudly and somewhat organically the very-low-end... and predominantly... which was distracting me from concentrating on delivering the right pitch (we don't hear the pitch very well in the lower-end)... I thought I needed to use the EQ to correct that, until I discovered it was physically resonating in my chest or in my upper-torso bones and it was heard mostly "bio-internally"... because of the tight headphones! So I searched YT today to find a confirmation of that problem and a solution. Your video confirmed the importance of hearing the actual direct room environment, and that is exactly what I have discovered yesterday! I learned from you that there are specific headphones for that purpose, thanks so much! I didn't know that, after all these years (I'm not a pro audio guy)...! I'll first try with my in-ear headphones that came with my old Samsung cellphone, then maybe purchase your semi-open AKG headphones. Very nice channel BTW!

I just heard an old Neil Diamond song and almost forgot how good music use to be. No computers, drum machines, auto-tune, melodyne or crazy vocal effects, just superb raw talent all in the studio together. You were hearing the finish record over the monitors while they were tracking.

Double tracking is hard if your timing sucks LOL. I am trying to improve. However I have just done a song with electric panned 100% left and right, and then I double track acoustic on top panned 75% left and right, and that sound pretty cool.

Well done, a simple easy to understand video. The voice leading explanation was so clear and liner. Also very nice writing as well...Nice to find you... Bravo

Click tracks? They have nothing to do with 'recording' and everything to do with musicianship. Need a click? Go ahead and get auto-tune while your at it. You need it.

What about s1 latency?

She was one of the best phrasers ever for me. Right up there with the best of the songbook era. Thanks so much for sharing this.

Pov ur recording with telephone (rookie mistake)

This is really helpful, especially as I'm an NT1a owner. To me this still sounds boomy though. In my case I end up too near to a corner of the room by the time the mic is set up which is another problem. I'm tempted to next try 2 feet away and pointed at the 10th fret and hope thats an improvement. One of my favourite acoustic sounds is on Neil Finn / Crowded House records and its a very hard sound to reproduce or even describe.

You are the kindest soul. Thank you for the step by step to making an EP

How to record vocals and electric guitar at the same time without hearing my guitar strum? I am hearing my guitar strumming thru mic?

A slightly variable click track would feel more human.

Did the first song mixed use a reference track?

Best tutorial that I have ever seen ..I will always come here for motivation

thank u so much 🙏

Inears sound soo much worse. I will take the clunky monitors until I die. Ive used both a ton, but I just hate the in ear sound. So squished. I have some fancy inears too. I was all into it at one point, but it never sounds nearly as nice as the open sound from standard monitors.

Thank you for this. Legend 🙏🙏🙏

VERY helpful ! Thank you.

What effects did you have on each tracks?

Mark produced and mixed and engineered my first album in LA in 1999-2000. He is a super nice guy and he has an inhuman work ethic! He wore us out and then after the band left for the day he’d stay and work! I still love mark and I’m very proud of the album we made!

What if the raw tracks sound like shit, and yiu have too process individual tracks Get it right at the source Not applicable here So I’ll try again I get it But not always possible I think this might help but I have to start again I want your process to work

thanks for going over this. 👍🏽

The difference that I hear is that when the track is on green is that the presentation of the percusion or beat is more solid and dense,

if you are young and new to mixing....you are missing all that hiss we used to get with tape...having to record at super high levels to keep the noise floor...on the floor...using all that dolby/dbx stuff still didnt get rid of it or it altered your sound dramatically....it was a nightmare...but old tape gave you a fat bottom punch and sizzling tops in the recordings...tape emulation is to recreate what the old timers were used to listening to....but if your music sounds good already....then dressing it up with tints of tube and tape compression makes it more ear friendly....to a fruit bat

I like to track the DI along with the mic. That way, I can use the DI to support the mic track, if needed. It’s better to have it and not need it than to need it and not have it.

2:35 ofc its gonna be terrible, its sopposed to be slid only a bit, not as much as you did here. Personally, whille i dont find it that pleasent, i dont dislike it that much

He means 0 dBU equals -18 dB FS (full scale). RMS is a separate concept about power “average” which could be applied to either metric.

I think a bit of both helps - and it really does go back to the days of printing to tape…noise floor, tape ‘hiss’ etc but you can’t go past a fader/pan mix as if the ‘band’ was playing live IMHO JPMusic

Great job friend! Very help full

I record at -18 so my levels start off the same anyway. Then I adjust them afterwards.

Real good thank you 😃

It does help, having developed a fantastic voice and great mic technique 😅

Joe! Thanks man! So glad I found your stuff. You explain everything in such simple terms. Really really helpful. God bless, man!

Is there a reason to use the stereo image plug-in rather than simply hitting the mono button on the master bus which studio one has?

Gain staging is so your audio is prepped for upcoming edits, such as soft compression, EQ, hard compression etc, when the audio is at its correct levels it hits them plugins in its best possible format

Please help me with Studio One Prime... I can't upload plugins. Maybe it's the Prime version.. For me it's difficult coming from Protools... I just want to add my plugins without all the extra set up... I just want to add simple instruments and effects.. It sucks that I have to find and install plugins but I could be wrong..